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Live
Venue address
15 North Street
Lewes, East Sussex
BN7 2PD
United Kingdom
Weekly House & Gardens Sale featuring Textiles - Monday 13th January 2025
Auction dates
13 Jan 2025 09:30 GMT
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Auction currency
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GBP |
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Buyer's premium
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25 % |
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Online commission
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2 % |
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Accepted cards for registration
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1162
After P.J.Mene a life size dark patinated bronze of a standing greyhound, length 115cm, height 97cm. Condition - good
Not signed.
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1252
After Jean Patoue (1887 - 1936), a small bronze study of a bound nude lady, J.B. Deposse foundry mark, 21cm. Condition - base has crack around the entire diameter, possibly restored.
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Attributed to Leslie Ray (20th century), a pair of maple framed wax reliefs, a lady and a gentleman in naval uniform, 21.5 x 19cm total. Condition - good
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After Henri Pernot (1859-1937), a bronze figure of a boy seated on a bell, signed, 38cm high. Condition - fair to good
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A signed photograph of Benny Hill, framed. Condition - good
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1324
A Franklin Mint bronzed figure of an elephant, 'Giant of the Serengeti', and a Franklin Mint bronzed model 'Quadriga', on wooden plinth, with title plaque, largest 23.5cm. Condition - good
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1329
A pair of Louis XVI style bronze, ormolu and white marble figural candelabra, late 19th century, 28cm. Condition - as photographed
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1390
A group of Chinese and Indian bronze figures and vessels, 19th century and later, tallest 12cm. Condition - varies
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Miers & Field, two bronzed painted plaster silhouettes of gentlemen, framed. Condition - good
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An Indian stone Buddha head and a figural carving, 29cm. Condition - figure repaired
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1437
Bernard Sindall (1924-1998), a bronze head of 'Vanina', on slate plinth base, with accompanying letter to the purchaser from the artist, height 38cm (overall). Condition - wear to base, otherwise good
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A large collection of early 20th century printing blocks. Condition - fair
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1446
Lorna Adamson (British b.1894-?), an early 20th century bronze figure of a boy, signed and dated 1913, on marble base, 36cm. Condition - nibbles to base, otherwise good
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A deep elaborately designed flounce of mid 19th century Brussels bobbin appliquéd lace on net, with finished lace ends, worked with an intricate floral border below large floral cartouches framed in similar motifs and all over spot design, 544cm long x 52cm deep. Condition - the netting has been very finely and professionally patched in places, possibly in the late 19th or early 20th century. On the top edge there are remnants of other netting with press studs which this flounce may have been attached to, these can easily be removed. There are various light marks, expected from use.
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1548
A late 17th century wide flounce of Point de France needle lace, together with a narrower flounce, both with raised elements of the design in the style of Point de Rose, but less so. This lace was very popular with the French court at the time, wider length 20cm deep x 344cm long. Condition - both lengths have a few damaged areas caused from use, age and laundry.
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1667
Arthur Wynne (19th. C), oil on canvas, River landscape with swans, signed and indistinctly inscribed verso, 49 x 75cm. Condition - fair to good
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English School, c.1900, oil on board, Fishing boats off the coast, unsigned, 28 x 45cm, ornate gilt framed. Condition - poor to fair
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1669
19th century, Chinese School, watercolour on silk, Interior scene with women and children, unsigned, 45 x 63cm. Condition - poor
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1670
18th century, English School, ink and watercolour, Landscape with figures on beach, gardeners in the foreground, unsigned, 23 x 54cm. Condition - poor
Stain upper-left corner, as seen in fourth image; two light vertical creases top to bottom, central; uniform fading. Mount good; frame rubbed at upper right rail, not serious.
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1671
Angela Fielder (contemporary), two oils on board, Artist before a cottage and Cottage garden scene with tulips, each signed, details verso, largest 21 x 26cm. Condition - good
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1672
F.W.B., pair of watercolours, Boat shed and Beached boat, each monogrammed, 16 x 27cm, housed in gilt frames. Condition - fair to good
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1673
Early 19th century English School, pair of watercolours, Portrait of a lady angler and Portrait of a seated cleric, each unsigned, inscribed in ink verso, 27 x 21cm, housed in rococo style gilt frames. Condition - good
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19th century Dutch School, oil on canvas, Skaters in a winter landscape, unsigned, 35 x 44cm, ornately framed. Condition - fair, craquelure throughout
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1675
Gillian M. Eccles, 1960's oil on board, Abstract composition vessels, 37 x 49cm. Condition - good
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1676
Modern British, oil and mixed media on paper, Coastal town, unsigned, 49 x 68cm. Condition - good
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1677
J Spencer, oil on board, Portrait of a gentleman wearing 18th century dress, 38 x 28cm, housed in an ornate ebonised and gilt frame. Condition - good
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David Dipnall (1941-2023), oil on canvas, ‘Northfield, Over the Downs’, signed, Stacy Marks inscribed gallery label verso, 49 x 75cm. Condition - good
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1679
Old Master style, oil on panel, 'Jesus's entry into Jerusalem', unsigned, 38 x 50cm. Condition - fair to good
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Robert Taverner (1920-2004), artists proof colour print, Seven Sisters, Eastbourne, signed in pencil, 37 x 49cm. Condition - good
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Gillian Simmonds, watercolour, ‘Snow across the river’, signed, 38 x 53cm. Condition - good
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1682
Jason Hicklin (b.1966), etching, ‘30 St. Mary Axe’, limited edition 27/30, signed and dated '05 in pencil, 19 x 13cm. Condition - good
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1683
Jason Hicklin (b.1966), etching, ‘London’, limited edition 8/30, signed and dated '09 in pencil, 40 x 26cm. Condition - good
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Arthur Trevor Haddon (1864-1941), oil on board, View of Gerona, 11.5 x 21cm. Condition - good, some minor losses to frame
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1685
18th century, English School, ink and watercolour, Artist in a landscape, 12 x 17.5cm. Condition - fair
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1686
John Joseph Barker of Bath (1824-1904), pair of oils on canvas, Mountainous landscapes with figures, one signed, 23 x 34cm, ornate gilt framed. Condition - fair to good
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Arthur John Trevor Briscoe (1873-1943), engraving, 'The Anchor', signed in ink, 30 x 23cm. Condition - fair
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1688
George Stanfield Walters RSA, RA, RSW (1838-1924), watercolour, ‘Leigh Creek’, monogrammed and dated '90, 16.5 x 24cm. Condition - fair
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1689
19th century School, watercolour on card, Gentleman wearing military dress, monogrammed H V, 36 x 28cm, unframed. Condition - fair
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After F.N. Martinet (French, 1731-1800), set of four coloured engravings, ducks, 20 x 16cm. Condition - good
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Circle of Giovanni Battista Cipriani (Italian, 1727-1785), ink and watercolour on paper, The Education of Achilles. Preparatory study for the painting of Chiron instructing Achilles with the bow, painted for an ante-room at Lansdowne House. A signed version is in the Fitzwilliam Museum no.3303, 21.5 x 19.5cm. Condition - fair/good
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Glynn Boyd Harte (1948-2003), colour lithograph, ‘Alphabet mug’, limited edition 299/500, monogrammed, 27 x 20cm. Condition - good
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Sidney Hines, watercolour, Riverscape with figures, 18 x 53cm. Condition - good
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William Martin Larkins (1901-1974), etching, ‘East End’, 21 x 18cm. Condition - good
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1697
Late 19th / early 20th century, Dutch School, oil on canvas, Barges on a river, Christie’s SS5VZ stencil verso, unsigned, 29 x 38cm, ornate gilt framed. Condition - fair
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1698
G. Sutherland, oil on ceramic panel, Study of a young girl and dog, signed and dated 1898, 21 x 17cm, ornately gilt framed. Condition - good
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After Henry Thomas Alken (1784-1851), set of six colour prints, Hunting scenes, published by Thomas Mclean, 1826, 27 x 22cm. Condition - fair, discolouration throughout
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A set three ink and watercolours on paper, to include ‘Inkerman, City of Caverns’, each is mounted, each signed William Simpson, largest 18 x 31cm, unframed. Condition - fair
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17th century Dutch style, oil on canvas, Still life of flowers in a vase, unsigned, 39 x 29cm. Condition - fair
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Arthur Royce Bradbury (1892-1977), watercolour, ‘The Canon Rock, Jerbourg Point, Guernsey’, signed, 27 x 37cm. Condition - good
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1703
Henry Charles Fox (1855-1929), watercolour, Scene near Crowborough, signed, 25 x 36cm. Condition - poor
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1704
Arthur Foord Hughes (1856-1914), watercolour, ‘Pett, Sussex’, signed, 18 x 31cm. Condition - fair
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19th century English School, watercolour, Rural landscape with figures before a cottage, indistinctly signed lower left, 16 x 22cm. Condition - fair
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1706
Charles Prosper Sainton (American, 1861-1914), two silverpoints, Imps and a fairy, largest 37 x 27cm. Condition - one discoloured throughout
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1707
Gillian Simmonds, contemporary colour screen print, ‘Warehouses, Lewes’, signed in pencil, limited edition 7/9, 38 x 47cm. Condition - good
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1708
James William Cole (act.1849-1889), oil on canvas, 'The Arab Stallion 'Kahalet', signed and dated 1893, gilt framed, 45 x 60cm. Condition - fair
Dry, matt finish apart from Kahalet’s underbelly, which has a slight gloss sheen; vertical drip above his neck, clearly visible; light craquelure throughout; frame almost certainly original; small chip to one corner; evidence of old woodworm to one vertical stretcher. Known provenance: privately entered by Arab horse lovers and in their possession for well over forty years.
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1709
Pere Marra Datzira (Spanish, b.1920), oil on canvas, Market scene with figures, 32 x 40cm. Condition - fair, some repairs visible to the reverse of the canvas
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1711
Louis Legrand (French, 1863-1951), etching with drypoint and aquatint printed in colours, 1901, ‘Bavardage (Chatting)' signed in pencil, 18.5 x 13cm. Condition - good
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1712
Anders Zorn (Swedish, 1860-1920), etching, ‘Old Soldier’, signed in pencil, 16 x 11cm. Condition - fair
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F. Miles (19th. C), oil on canvas, 'A backwater near Sunbury', signed, 34 x 49cm, ornate gilt framed. Condition - fair to good, craquelure throughout
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Ben Maile (1922–2017), impasto oil on canvas, ‘Montmartre’, signed, 50 x 60cm, gilt framed. Condition - good
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