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Live
Venue address
15 North Street
Lewes, East Sussex
BN7 2PD
United Kingdom
Weekly House & Gardens Sale featuring Textiles - Monday 13th January 2025
Auction dates
13 Jan 2025 09:30 GMT
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Auction currency
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GBP |
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Buyer's premium
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25 % |
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Online commission
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2 % |
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Featured lot
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1779A
Eric Gill (1882-1940), wood engraving, ‘Pigott's’, 11 x 7.5cm, One of two proofs of a map showing the position of the artist's house, Pigotts, North Dean, near Speen, High Wycombe, Buckinghamshire, 1928. The block was used for illustration beneath the colophon on page 20 verso of 'The Future of Sculpture' by the artist, printed at the Lanston Monotype Corporation Ltd., for the artist at Pigotts, 1928. Condition - cropped otherwise fair to good
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James Hardy Junior (1832-1889), pair of watercolours, Studies of dead game, each signed, one dated '82, other indistinctly dated, labels verso, 25 x 41cm. Condition - good
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1781
Style of Louis Wain (1860-1939), pair of oval watercolours, Comical studies of cats, 12 x 8.5cm, gilt framed. Condition - fair
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Late 18th century English School, oil on canvas, Cavalry officers in parkland, 102 x 127cm. Condition - fair/good
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1782A
Quantity
1
Max bid
GBP
Estimate
1,000 - 1,500 GBP
§ § Laurence Stephen Lowry RA, RBA (British 1887-1976), offset lithograph signed in pencil, View of a Town, bearing the Fine Art Trade Guild blindstamp, unnumbered from an edition of 850, published by Mainstone Publications in 1973 46 x 55.5cm. Condition - fair to good
Overall colours remain good and strong but some discolouration of the paper particularly showing around the margins as acid staining, one or two fox marks showing in the centre of the sky, most of these look to be on the glass not the print, housed in a stepped card mount and metal frame, Pratt & Sons of Derby label verso giving details of the work.
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Old Master style, overpainted print on vellum, Adoration of Christ, unframed, 14 x 9.5cm. Condition - poor
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1784
Margaret Dovaston (British, 1884-1954), oil on canvas, 'The Chess Match', signed and dated 1927, 45 x 60cm. Condition - fair to good
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1785
After Edoardo Calandra (Italian, 1852-1911), oil on canvas, Figures inside a mosque, signed, 90 x 60cm. Condition - good
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1786
§ § Harold Mockford (English, 1932-2023), oil on board, 'Birling Gap II', signed verso, dated '71 and titled, 91 x 122cm. Condition - poor
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1787
§ § Harold Mockford (English, 1932-2023), oil on board, 'Yellow Tree', signed and titled verso, 121 x 91cm. Condition - fair to good
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1788
§ § Harold Mockford (English, 1932-2023), oil on board, ‘The Outing’, signed verso and dated 1976, 122 x 122cm. Condition - fair
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1789
Harold Mockford (English, 1932-2023), oil on canvas, 'Figures from the past (II)', titled and signed verso, dated Feb '79, 81 x 81cm. Condition - fair
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1790
§ § Sir Stanley Spencer R.A. (British, 1891-1959), pencil on paper, Studies of Andrew Franks, aged 2½ years at Chauntry Court, Maidenhead, during the summer of 1954, signed in pencil and dated July 1954, 24 x 32cm and 19.5 x 15cm. Condition - fair
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1791
Anthony R. Cooke (British, b.1933), oil on board, House Boat Tringa, River Bank, Shoreham By Sea, unsigned, inscribed verso, 116 x 80cm. Condition - fair
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After J. F. Herring (1815-1907), tondo oil on canvas, farmyard scene, 47cm in diameter, maple framed. Condition - poor
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1793
Eugène Cadel (French, 1862-1941), oil on panel, La Chambre Bleu and La Chambre Rose, (2) signed, 22 x 26cm. Condition - poor to fair
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1794
§ § Gordon King (English, 1939-2022), oil on canvas, Woman standing on a terrace, a donkey beyond, signed, 101 x 50cm. Condition - good
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1795
Gordon King (English, 1939-2022), oil on canvas, Young woman seated in a pink skirt, signed, 59 x 49cm. Condition - good
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1796
Gordon King (English, 1939-2022), oil on canvas, Young woman seated in a white dress, signed, 49 x 59cm. Condition - good
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After Quentin Blake (b.1932), colour print, 'Fantastic Daisy Artichoke', signed in the plate, blind stamped, limited edition 66/495 COA verso, 32 x 46cm. Condition - good
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1799
Joshua Anderson Hague R.I., R.B.A., P.R.C.A. (English, 1850-1916), oil on canvas, Punt on a river, a tavern beyond, signed, 48 x 38cm. Condition - fair
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1800
§ § Alan Furneaux (English, b.1953), oil on canvas, 'St Just, Cornwall & Still life', signed, 29 x 39.5cm. Condition - good
Good original condition with no faults noted, grey wooden frame, title inscribed verso. Entitled St. Just Still Life.
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After Rennie Mackintosh, set of four modern prints, School Board of Glasgow, 41 x 62cm. Condition - good
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1802
Charles John de Lacy (1856-1936), oil on canvas, Church Island on the Thames, Staines, signed and dated 1905, 40 x 60cm. Condition - fair to good
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1803
Early 20th century English School, oval pastel, Portrait of a young woman, 61 x 56cm, housed in gilt gesso frame. Condition - fair, some damage to the frame
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Bruce Beaugeard (English, 1924-2005), oil on board, Untitled, signed, 24 x 22.5cm. Condition - fair to good
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1806
Julien Gustave Gagliardini (Italian, 1846-1927), oil on canvas, Neapolitan coastal scene with seated figures, signed and dated '91, 26 x 40cm. Condition - fair to good
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Sir Stanley Spencer R.A. (British, 1891-1959), pencil on paper, Portrait of Deidre Franks at Chauntry Court, Maidenhead, during the summer of 1954, 31.5 x 23.5cm. Condition - fair
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1808
Sir Frank Brangwyn RA (English, 1867-1956), watercolour, North African slave market, signed, 18 x 23cm. Condition - fair
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1809
Arthur Gordon (1883-1944), pair of oils on canvas, Frith Farm, Dover and The Lock below Gallows Bridge, Brentford, unsigned, each inscribed in ink verso, 34 x 49cm. Condition - fair to good
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Paul Tvrtkovic (Architect, 1927-2010), two folios of figurative and architectural sketches and facsimiles to include mixed media, charcoal and pencils, each unframed. Condition - varies, mostly fair to good
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1811
José Luis Florit Rodero (Spanish, 1909-2001), oil on canvas, Harbour scene with figures, café and marquee, 35 x 58cm. Condition - good
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Alfred Adrian Jones MVO (British, 1845-1938), oil on canvas, Chestnut hunter in a landscape, signed and dated 1892, 40 x 50cm. Condition - good
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1813
Patrick von Kalckreuth (German, 1882-1970), oil on canvas, Waves breaking on the shore, signed, 60 x 90cm. Condition - good
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Peter Wileman ROI (b.1946), oil on board, Venice, signed, 50 x 40cm. Condition - good
Oil on board in honest untouched condition, no faults noted other than a little dust, framed but not glazed, gallery barcode label verso along with an invoice from Warwick Studios. *PLEASE NOTE - POSTAGE AND OR PACKING NOT AVAILABLE ON ANY PICTURE LOTS IN TODAYS SALE, COLLECTION OR COURIER RECOMMENDED*
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1815
Ronald Benham RBA, NEAC (1915-1993), oil on canvas, End of the Chesil Bank, signed and dated '74, 30 x 55cm. Condition - fair to good
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Newlyn School, oil on board, St Ives at low tide, 25 x 32cm. Condition - good
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Company School (19th Century), gouache on paper, Botanical study - Dhool Kulmee [Clove Bean Calonyction Muricatum Ipomoea Muricata Purple Moonflower], 40.5 x 27cm. Condition - fair
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1818
Thomas Taylor Ireland (British, fl.1891-1921), oil on canvas, Lock scene with cottages, signed and dated 1890, 49 x 67cm. Condition - fair to good
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Meret Oppenheim, pastel on paper, Portrait of a lady, signed and dated London 27 June '63 and inscribed 'To Mary Brewenden-Stringfellow', 61.5 x 47cm. Condition - good
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1820
§ § Philip Matthews (British, 1916-1984), oil on board, Sweet peas, initialled and dated '79, 56 x 52cm. Condition - good
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1821
Circle of Walter Sickert RA, RBA (1860-1942), charcoal, study of a reclining woman and gentleman in an interior, bears signature and date '37, 41 x 30cm, ornately framed. Condition - fair
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1822
David Roberts (British, 1796-1864), watercolour, A Scene in Palestine, 31.5 x 43cm. Condition - fair to good
Watercolour on paper confirmed; tear to top-left corner, approx. 3cm horizontal, partially concealed by mount; the uncoloured paper now with a light buff tone, colours fair, signs of dirt spots are on the glass not the work, old rather tatty washline mount and slim gilt frame with Stanley Fisher label verso giving details of the artist. *PLEASE NOTE - POSTAGE AND OR PACKING NOT AVAILABLE ON ANY PICTURE LOTS IN TODAYS SALE, COLLECTION OR COURIER RECOMMENDED*
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Claude Hayes (English, 1852-1922), oil on canvas, Normandy, shepherd and flock, 80 x 49.5cm. Condition - fair to good
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