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Live
Venue address
15 North Street
Lewes, East Sussex
BN7 2PD
United Kingdom
Weekly House & Gardens Sale featuring Textiles - Monday 13th January 2025
Auction dates
13 Jan 2025 09:30 GMT
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Auction currency
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GBP |
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Buyer's premium
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25 % |
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Online commission
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2 % |
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Accepted cards for registration
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Accepted cards for payment
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We found 164 items matching your search
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Featured lot
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Ben Maile (1922–2017), impasto oil on canvas, ‘Venice canal scene’, signed, 49 x 60cm, gilt framed. Condition - good
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Ben Maile (1922–2017), impasto oil on canvas, ‘Crabbers’, signed, 39 x 49cm, gilt framed. Condition - good
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1718
Ben Maile (1922–2017), impasto oil on canvas, ‘Grimaud, Southern France’, signed, 29 x 39cm, gilt framed. Condition - good
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1719
Sherree Valentine Daines (English, b.1959), oil on board, Figures in the park, initialled, 24 x 33cm. Condition - good
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1721
Laurent, oil on canvas, Italian hillside farm, signed, 16 x 22cm. Condition - good, canvas sagging slightly and losses to the frame
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1722
Victor Coverley-Price (1901-1988), oil on board, Landscape with walled city, signed, 30 x 46cm, unframed. Condition - good
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1723
Philip Hugh Padwick, RBA (1876-1958), oil on canvas board, Sussex landscape, 30 x 40cm, unframed, signed. Condition - fair to good, would benefit from a clean
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1724
Lyndsey Selley (b.1967), watercolour and gouache, Study of two wolves in snow, signed and dated '06, 39 x 54cm. Condition - good
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1725
R Sayer and J Bennett, hand coloured engraving, ‘Palemon and Lavinia’, printed 9th May 1782, Fleet Street, London, 35 x 25cm. Condition - poor to fair
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Sergeant, watercolour, Kensington Gardens, signed, 23 x 31cm. Condition - good
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1727
Victor Coverley-Price (1901-1988), oil on board, Study of a reclining woman wearing green, signed, 46 x 61cm, unframed. Condition - fair
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Serena Penman (20th. C), colour screen print, ‘Cricketing Bottom Fore Hill and Breaky Bottom’, limited edition, 8/12, signed and dated 1980 in pencil, 28 x 58cm. Condition - good
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Peter Paul Hubner (Austrian/British, 1870-1928), mixed media and charcoal sketch, 'The Pound Road', signed and inscribed, 25 x 45cm. Condition - good
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1730
Edward Taylor, oil on board, 'On board the Arken', unsigned, inscribed in ink verso, 35 x 50cm, ornate gilt framed. Condition - good
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1732
Eight lithographic school prints to include after Michael Rothenstein, ‘Timber felling’ and after Tom Gentleman, ‘The Grey Horses’, each printed in England for the Baynard Press, each 50 x 76cm, unframed. Condition - good
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1733
After Edwin La Dell ARA (1914-1970), lithographic school print, ‘The Tower of London’, printed in England at the Baynard Press, 49 x 75cm. Condition - good
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1734
After John Nash RA (1893-1977), colour lithographic school print, Harvesting, printed in England at The Baynard Press, 49 x 75cm. Condition - good
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Benjamin Senior (b.1982), contemporary colour lithograph, ‘Stroke tempo’, unsigned, 75 x 58cm. Condition - good
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1736
Patrick Hughes (b.1939), colour screen print, ‘Hearty’, limited edition 105/130, signed in pencil, 75 x 53cm. Condition - good
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1737
Patrick Hughes (b.1939), colour screen print, ‘Cloudy’, limited edition 106/130, signed in pencil, 75 x 53cm. Condition - good
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1738
Luthur Gotz (b.1963), contemporary colour screenprint, ‘Durchgangszimmer Orange’, limited edition 11/75, signed in pencil, 88 x 61cm. Condition - good
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G. S. Bagley, (Rye artist), oil on canvas, Riverscape with boats, signed, 30 x 40cm, unframed. Condition - poor
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1741
Kevin Platt (b.1945), oil on canvas, Harbour view with moored fishing boats, signed, 49 x 100cm. Condition - good
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1742
Jonathon Coudrille (b.1945), surreal oil on panel, ‘Laying the ghost of my fathers muse a lower astrical confinement’, monogrammed, Cornish gallery inscribed label verso, 59 x 59cm. Condition - good
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1743
George Guest (1939-2012), colour lithograph, ‘Weather Break’, limited edition, 65/150, signed in pencil, certificate of authenticity verso, 35 x 49cm. Condition - fair
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1744
David Gentleman (b.1930), colour lithograph, ‘Seven Sisters, East Sussex’, limited edition 215/350, signed in pencil, certificate of authenticity verso, 41 x 52cm. Condition - good
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Dutch School, watercolour, Riverscape with boatman, unsigned, 46 x 72cm. Condition - fair
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Two military aviation interest colour prints comprising: Michael Turner, ‘The Battle for Normandy’, and Robert Tomlin, ‘A Green Hill Far Away’, each in signed in pencil and limited edition, largest 48 x 64cm. Condition - fair
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1747
John Terris (Scottish, 1865-1914), watercolour, Dutch fisherfolk on a beach, signed, label verso, 37 x 53cm. Condition - fair
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1748
Alexander Wallace Rimington (1854-1918), watercolour, Shepherdess in a landscape, signed, 43 x 63cm, ornate gilt framed. Condition - fair
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1749
Three colour screen prints, Abstract compositions, including one by Kay Homewood and one by Margaret Foy, each signed, 33 x 32cm. Condition - fair
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Oswald Garside (1879-1942), watercolour, Beach scene, signed, 19 x 48cm. Condition - fair
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1751
After Peter Paul Rubens (Flemish, 1577-1640), watercolour, Study of a lady wearing 17th century dress, unsigned, 30 x 23cm, maple framed. Condition - fair/good
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Gillian Simmonds, watercolour, ‘Riverside warehouses, Lewes’, signed, label verso, 27 x 35cm. Condition - good
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Circle of Frank Paton (1855-1909), oil on canvas, Study of a sleeping Jack Russell terrier, unsigned, 29 x 32cm, ornate gilt framed. Condition - fair to good, small hole to the canvas
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1754
Curtius Duassut (fl.1889-1903)), two watercolours, Cottage garden scenes, each signed, largest 24.5 x 30cm. Condition - fair
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1756
A. J. Richard, set of five watercolours, Beach scenes with moored boats, each signed, largest 23 x 30cm. Condition - fair to good
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1757
Alexis Josic, watercolour and pastel, Industrial scene with two figures, signed and dated 1949, 70 x97cm. Condition - fair
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1758
Adrian Paul Allinson ROI (1890-1959), pastel, Study of a nude woman, signed and dated '27, 58 x 39cm. Condition - fair
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Adrian Paul Allinson ROI (1890-1959), charcoal, Study of a nude woman, signed, 50 x 69cm. Condition - some tears
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Adrian Paul Allinson ROI (1890-1959), charcoal, Mediterranean landscape with villas, signed, inscribed and dated '26, 26 x 43cm. Condition - fair, some creasing
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1761
Adrian Paul Allinson ROI (1890-1959), coloured crayon, English landscape, together with a colour print, ‘Cotswold Pattern’, largest 31 x 53cm. Condition - fair to good
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1762
Adrian Paul Allinson ROI (1890-1959), ink and watercolour on card, ‘Pedrillo’, signed and dated 1915, 26 x 18cm, unframed. Condition - fair
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Adrian Paul Allinson ROI (1890-1959), two pencil / watercolours from the artists sketch book, Trees and landscapes, unsigned. Condition - fair
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1764
Adrian Paul Allinson ROI (1890-1959), watercolour and pencil drawing from the artists sketch book, Still life’s of flowers, unsigned, unframed. Condition - fair
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1765
Adrian Paul Allinson ROI (1890-1959), two pencil / charcoals from the artists sketch book, Market scene and Tudor house, unsigned, unframed. Condition - fair, some tears
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1766
After Adrian Paul Allinson ROI (1890-1959), three monochrome prints, unframed. Condition - poor to fair
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Adrian Paul Allinson ROI (1890-1959), two pencil / watercolours from the artists sketch book, Landscapes, unsigned, unframed. Condition - fair
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1768
Adrian Paul Allinson ROI (1890-1959), two pencil / charcoal drawings from the artists sketch book, Figural studies including ‘Love one Another’, unsigned, unframed. Condition - fair
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1769
Adrian Paul Allinson ROI (1890-1959), mixed media, French landscape, unsigned, blind stamped by the artist's executors, 1962, unframed. Condition - fair to good
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Adrian Paul Allinson ROI (1890-1959), two pencil / watercolours from the artists sketch book, Landscapes, unsigned, unframed. Condition - fair
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1771
Adrian Paul Allinson ROI (1890-1959), mixed media, French landscape, blind stamped by the artist's executors, 1962, unsigned, unframed. Condition - poor to fair, corner detached
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1772
William Shipley, oil on board, Portrait of a figure by candle light, unsigned, inscribed in pencil verso, 49 x 36cm, ornate gilt frame. Condition - fair
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V. Khryzov (1930-2010), Russian impasto oil on board, Still life of figs, signed, dated 1956 verso, 32 x 24cm. Condition - good
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1774
Elena Nikolaevna Kholodilina (Russian, b.1932), oil on canvas board, 'In the meadow', inscribed verso, 24 x 31cm. Condition - good
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1775
Anna Cherednichenko (Russian, 1917-2003), oil, Still life of roses, signed and dated 1950, 19 x 20cm. Condition - good
19x20.8cm inside the mount. Frame 30x31cm.
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1776
Yakov Markovich, Russian oil on canvas board, Study of a pigeon, signed, 24 x 30cm. Condition - good
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1777
Viktor Templin (Russian, 1920-1994), oil on board, Lake scene, signed, 17 x 27cm. Condition - good
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1778
Maurice Cockrill (1936-2013), mixed media and gouache, Study of a nude man and woman, signed, 60 x 49cm. Condition - good
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1779
David Lachapelle (American, b.1961), contemporary chromogenic print, 'Death by hamburger', 50 x 68cm. Condition - good
Print in good condition; mount good; frame some bruises and rubs around edges. No indication as to edition number.
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